Artists' surface preparations including sealants and gessos for paper and canvas
Adds a glass like dimensional layer to cards and stamped designs.
A gesso made from unpigmented clear resin which dries completely clear. Can also be used to make your own coloured gesso primers by the addition of acrylic colours.
Made from high quality acrylic resin with a good level of pigment strength, it can be used straight from the pot and has excellent “tooth” for film adhesion.
A premium acrylic gesso used to prepare painting surfaces for acrylic and oil paint. Liquitex archival white gesso is non-yellowing, flexible and non-cracking.
A premium acrylic gesso used to prepare painting surfaces for acrylic and oil paint. Liquitex archival black gesso is non-yellowing, flexible and non-cracking.
A premium acrylic gesso used to prepare painting surfaces for acrylic and oil paint. Liquitex archival clear gesso is non-yellowing, flexible and non-cracking.
A premium acrylic gesso used to prepare painting surfaces for acrylic and oil paint. Liquitex archival clear gesso is non-yellowing, flexible and non-cracking.
A gesso made from unpigmented clear resin which dries completely clear. Can also be used to make your own coloured gesso primers by the addition of acrylic colours. With a balanced absorbency and excellent tooth this gesso creates the perfect surface upon which to paint.
A gesso made from unpigmented clear resin which dries completely clear. Can also be used to make your own coloured gesso primers by the addition of acrylic colours. With a balanced absorbency and excellent tooth this gesso creates the perfect surface upon which to paint.
This gesso has a matt black finish for maximum colour contrast and can be used straight from the pot. To reduce absorbency and to boost the integrity of the paint film a minimum of three coats is recommended on canvas if used with oils.
Made from high quality acrylic resin with a good level of pigment strength, it can be used straight from the pot and has excellent “tooth” for film adhesion. To reduce absorbency and to boost the integrity of the film a minimum of two coats is required if working with oils.
A premium acrylic gesso used to prepare painting surfaces for acrylic and oil paint. Liquitex archival white gesso is non-yellowing, flexible and non-cracking.